Almost there...

Hi!

Well, I'm getting closer and closer to finishing the pieces I've been working on for some time now!  I must say I've gone through an unusually high number of bisque fires with them, making sure things were just so.  Here's where we are now:

We're getting warmer...

Even warmer...

 

So close!

This wee Little One is almost there!  I decided to glaze her first that I might practice a few china-painting techniques on her before I work on the Dantes (the appy Dante will especially have a lot of work done post-glaze).  Stay tuned for more shininess to come!

:)

Baby Steps

Hey there!

This week's clinky feature is Little One!  Sculpted by Kelly (née) Savage and produced in earthenware by Joan Berkwitz of Pour Horse Pottery, this dainty foal is too darn cute and quite fun to paint!  She too is becoming an appy, as there are a couple of things china-paint wise I want to test on her before committing them to the shiny appy Dante I'm concurrently painting.  She has a ways to go (including some UG pencil work to be done), but it isn't too hard to see what I've completed on her thus far, so I'll leave it to the pictures to do the talking!

 

Like I said, she has a little ways to go, but she'll get there soon!  And if anyone has any technical questions about her painting process, please feel free to post here & I'll do my best!  She, like the 2 Dantes, will be up at auction upon completion.

:)

Spotty Dante

Hiya!

Whew, I nearly forgot to blog today!  And I'd promised pictures last week of the other Dante* & everything!  I'm so glad I remembered.

This guy is going to be a very spotty bay appaloosa.  Believe it or not, he only has about 50% of his spots right now.  Many of them will be china-painted after he's glazed!

He started out with no spots at all:

Then I started scritching in some & added in much fainter ones with ground underglaze pencil (right side):



I added a bunch of hand-painted ones, and many more underglaze pencil spots:



Next, I tackled his legs- I sprayed & scritched!



 

Now he still needs his mane and tail worked on, a little touching up here & there, some eyes, hoof-stripes, etc, glaze and many more spots!  But hopefully it won't take too much longer.

Last week's dapple buckskin guy is progressing, as is the "Little One" I'm working on (also spotty!).  I'll share her next week.  As there have been inquires, I'll mention again that I plan on auctioning these pieces when they are complete, and I'll be sure to give y'all a heads up.

That's all for now!

:)

*Dante was sculpted by the fantastic Sarah Minkiewicz-Breunig, and cast in ceramic by the amazing Joan Berkwitz of Pour Horse!  Just in case you didn't already know....

Projects for the New Year

Hey there!  First off, I've gotta say (of course)...

We'll see if I can keep up with this blog a little better in 2013!  It helps that Christmas Day is past, and I'm done with travel/guests for a while now... time to buckle down in the studio!

Since returning from Memphis, TN where we went for Christmas, (it was great fun & we even had a little snow!  Snow is always* a novelty to a native So. Cal gal) I picked back up on three ceramic pieces I set aside when things got crazy last month- two Sarah Minkiewicz-Breunig "Dantes" and a Kelly née Savage "Little One."  (My ceramic break is over!  Well, maybe 'hiatus' would be a better term, hmm?)

Here, for your enjoyment is one of the Dantes-in-progress (I'll save the other for next week!).  I'm trying something a little different from my usual dappling technique.  It is a combo of my normal airbrush dark/erase-away method combined with ceramic underglaze pencil (its kind of like a pastel pencil in feel).  My crazy looking start:



I'm only 95% it will all work out the way I imagine in my head, but I figured that was a high enough chance to take a shot at it!  I'm trying it this way ultimately, because I'm looking for a little more control with fine lines.  I've never been able to do a dark dapple buckskin that quite lined up with a great reference photo I have, and I think this method will help.  Here's the other side- I'm blending the pencil with a rubber tool:



Here he is with the first coat of black over the pencil.  I'm gradually building up the layers and I've been erasing & even adding in more pencil, as needed.   



Now he has almost all of his layers; I imagine there will be areas that I'll want to (or need to!) add black china-paint over the top of the glaze when he's done, to give it the final effect I want.  I've seen some neat things done with china paints of late, and I'm very inspired!



He will get his golden coloring, nose/eyes, hooves, legs, mane/tail when the dappling is all done.  The lighter colors will sink down during his final firing, allowing the black to show through.  Pretty cool that it works that way!

Sooo... what else do I have planned for 2013, I hear you ask?  Plenty!  As far as sculptures go, I'm really going to try to push myself to get my little Adagio/Spiritoso historical horse in Levade all done before the year gets too far along.  I'd like to add some art prints to my Etsy store (I've a few ideas in mind, but ceramics will come first!), finish my Jeanie Cat book before a conference in May, get further along on my animation project, earnestly work on my Native American horse...  yeah, I don't think 2013 will be boring! 

Okay!  I wish y'all as safe, happy, and creative New Year!


*Well, nearly always.  I say always, unless I have to drive in it, then it loses novelty right quick!

Season's Greetings!

Just a little note to say...

May your Christmas day be Bright, your Winter Wonderful, and may you have a very Happy New Year!  And because this is a blog dedicated to my art, I'll leave you with a peek at a fun little piece I did recently:

 Enjoy & keep merry!

:)

Self Critiquing

Whenever I talk about sculpting, I tend to mention one of the best tools for growing as a sculptor- critiquing.  Even the best among us is not above it; we all fall into traps set by our own brains*, and critique is one way out of them.  Self critique is an important first step in the critiquing process, and I'm working on it more and more, in an effort to push myself as a sculptor.  I want to grow more in my own knowledge, in figuring out what is correct and incorrect anatomically (those 'aha' moments!), rather than relying on others to do the 'dirty work' for me.  I do feel fresh eyes are good for one's pieces, but I want to get my pieces as far along as I can before I subject them to other eyes!  Self critique is also a good technique for those who have limited access to other artists eyes and opinions.  Let's move forward with some ways to look at your horse in a different light, all on your own!

Idea One:  Mirror, Mirror

In drawing, many know that holding your piece up to a mirror can give you a new perspective, and help you to see flaws that were previously eluding you.  The same can be done with a sculpture.  In fact, if you'd like a fancier, more helpful way to do this, I highly recommend taking a picture with a digital camera, and flipping it horizontally with a program like Photoshop, or Photoshop Elements (for any serious artist out there, I find having at least Photoshop Elements is invaluable! ).  Things begin to pop up, when you can analyze your work backwards!

Idea Two:  Photographing for Symmetry

Along the line of mirror imaging, you can easily snap photos of the the two sides of your horse for symmetry comparisons.  Say you want to compare the sides of the face- snap & bring them up side-by-side on your computer- presto!  Instant comparison fodder.  This can also be done with other areas, depending on your horse's pose. 



Idea Three:  Trace the Face

If you have photo editing software with the layers feature, you may find this idea a help.  First off- it is by no means a perfect solution to anatomy problems; there are a lot of factors to consider- angle of the original photo, breed type and position, camera distortion, etc.  That said, it is good for general help.  What I'm talking about is comparing a photo of your sculpture to a real horse photo.  If you don't have fancy software, just bringing up a pic of your sculpt alongside a pic of a real horse in a similar pose can be a big help.  If you do have the means, a little bit of tracing can reveal new insights. 


I'm currently working on "Adagio" a rearing (Levade) horse of historical Lipizzaner type.  In working on his muzzle, I've looked at many different pictures of horses in this pose, focusing on their noses.  I've chosen one here (an older, historic photo, that I've tweaked a bit), for my starting point.  I'll probably use this technique on a few more photos as I move along, to get different ideas of how my horse's muzzle should be. 

It's a fairly simple process.  I take the real horse photo, and trace the important features that I see, onto a new (top) layer.  That layer gets copied, and placed on top of a picture of my sculpture, in a similar angle. 



From there, I can compare Adagio to one version of a real horse. Note- important differences may exist between your real horse photo, and your sculpture.  For example, I really liked the nostril on this real horse, but I realize that its mouth is slightly open, due to the bit- something my sculpture won't have!  I will take that into account, as I continue sculpting. 

All in all, this technique can provide suggestions, but unless a real human mind is constantly analyzing all of the factors, sculpting purely from traced photos would give you a fairly warped horse in the end!  The technique is all about having an idea for a new direction, and then going from there. 

Lastly, and probably most importantly, we have:

Idea Four:  The Real Deal

This step is the one, sadly, I am most guilty of under-utilizing.  It is getting out there and spending time with real horses of the breed you are trying to sculpt!  Or at least, a similar breed, if you are doing something rarer.  Nothing beats the epiphanies you can have when studying horses live.  Not just taking reference photos, which is good, but sketching, analyzing different angles; even grooming is a great learning tool, if the situation allows.  Yeah, I need to get off my butt and call one or two Lippizan ranches! 

Okay!  There you have it- some ideas to push yourself, and your art.  If you have any self critique ideas of your own that you'd like to share here, please feel free to do so in the comment section!  It is always good to try to lift each other up, as artists.

Oh, and by the by, in case you are wondering just how small Adagio is (and how crazy I am!), here you go:



Yeah, I need to trim my nails!  

:)


*I sometimes wonder if my brain is trying to be more efficient with its tendency towards generalization, or if its simply lazy...?

The Art of Autumn

I'm so sorry for missing a couple of weeks here!  I *am* sculpting again (yay!) but I'm not quite ready to share (I know, boo!), so I was a little at a loss as to what to blog about.  But surveying the landscape of late has given me fresh inspiration.

Being born & raised in Southern CA, fall colors were something at which I marveled.  In December, two types of trees would turn (in their little squares of dirt, in between the concrete sidewalks and the street).    Scattered dots of color that brightened the often bleak landscape; I loved them.  But I never really understood the concept of autumn, until I spent a year living in Illinois.  After seeing what fall really could be like, I knew I needed to live in a place with a bit more nature, and a few more seasons!  I think I found the right mix here in WA; we have definite seasons, though they're a bit more mild than in the mid-west! 

Anyhow…  We are blessed to have six Japanese Maples that came with our new house.  Five of them have turned (one of them is a little past its peak now!).  Fantastic works of art, from our Creator's hand.  Here are the four that are at their best:

This guy glows neon orange when the sky is gray (which is often!).


Our tallest tree- it was all green this summer:


The third back yard maple.  It was dark red, and now has turned brilliant:


I call this last one "Firework!"  It used to be green.


And all over the neighborhood, and in the parks and forests around here, I'm seeing much of the same thing.  I'm going to enjoy it while I can!  Thanks to the many evergreens up here, I don't have to worry about a completely bare winter, but I'm going to miss these colors when they go.  Hope you're finding some of nature's art in your neck of the woods!

:)